Corallo
Dover White

Composition: Processo metamorfico di rocce sedimentarie che provocano una ricristallizzazione del carbonato di calcio con diverse nature.

ASPECT: Lucido o opaco.

Tipology: Materiale di origine naturale sedimentaria.

TECHNICAL CHARATERISTICS: durevolezza, eventuali irregolarità superficiali e scarsa resistenza alle sostanze acide essendo di natura calcarea.

Corda grigia

Composition: Polipropilene taslan.

Tipology: Corda piatta con anima in nylon.

TECHNICAL CHARATERISTICS: Leggero, resistente, sintetico, atossico e durevole.

PANAREA 713 - LUSSO

Composition: 53%PC – 46%CO – 1%NY

AVERAGE LIGHT FASTNESS: 4/5

Martindale: 20.000

FABRIC WIDTH: 140 cm

MAINTENANCE:

Frassino color liquirizia

Composition: Il legno massello viene ricavato dal “cuore” del tronco dalla parte più resistente e massiccia (durame).

Tipology: Legno massello di frassino color liquirizia.

TECHNICAL CHARATERISTICS: Materiale resistente e durevole.

Black
Frassino Color Wenge

Composition: Il legno massello viene ricavato dal “cuore” del tronco dalla parte più resistente e massiccia (durame).

Tipology: Legno massello di frassino tinto wengè.

TECHNICAL CHARATERISTICS: Materiale resistente e durevole.

Thin dark lines | 12

A thin dark precious line, rich and mysterious for a refined word yet overwhelming, by evoking strong emotions. A tonality needed to grant deepness and contrast. The dark colours play on contrasts and at the same time they integrated into the surrounding space. The dark tonalities have strong personality, by giving a sophisticated and essential look, by enveloping and by giving deepness, thus enhancing the furniture and its complements. The dark shades of the “Thin dark lines” moodboards’ are added to an environment to create an elegant and contemporary style, where metal details and sofas covered in fabric or leather would not be missed. It is possible to change completely a room by changing colour with a defined and strong style, with courageous yet always successful choices.

THIN DARK LINES | 12 - setting VIEW
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